“The subject of my art is a look, not a story.” If Eldridge Hardie had his druthers, this would be among the shortest articles ever written. It’s not a matter of being publicity-shy, or of wanting to cultivate a certain “arty” image, or...
A Cause We Can All Get Behind I want to give a shout-out to a relatively new organization whose presence on the sporting landscape can’t be viewed as anything but a good thing: the Youth Field Trial Alliance. The brainchild of Chris Mathan, the human dynamo behind...
“From the very beginning, being an artist was my first choice.” You can tour the most discriminating galleries, visit the most thoughtfully-curated exhibitions. As you walk these clean, well-lighted places, you stop, as much from duty as interest, to study...
“…I could do it if I practiced enough.” It’s not uncommon, upon meeting Julie Jeppsen for the first time, to find yourself doing a double take just a few minutes later. Let’s say you’re at the Southeastern Wildlife Exposition in...
If any art is truly timeless, it is the still-life. The still-life does not depict a moment frozen in time, a chosen instant snatched from the temporal current, but a moment outside of time, beyond its erosive reach. There is no past or future, only an eternal...
The men and women who studied under Howard Pyle all but dominated American illustration during the first half of the 20th century. At the beginning of the 20th century, Howard Pyle of Wilmington, Delaware, was most popular illustrator in America. He had only one...
It was a scene of primal, primitive savagery; it seemed like something out of a corrupted Moby Dick, with the inept, half-crazed Wolf in the role of Queequeg, the aboriginal harpooner who prided himself on his lethal professionalism. Below Elizabeth Falls, where it...
The greatest equine artist of all time, and arguably the greatest animal portraitist, was the 18th century Englishman George Stubbs. The toast of the town in his day, when the cream of British aristocracy beat a path to his door to have him paint...